Oil Paintings
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Samuel Palmer 1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
Samuel Palmer A Pastoral Scene mk49
1835
Oil and tempera on panel
30x40cm
Painting ID:: 26402
X
Samuel Palmer Scene from Lee,North Devon mk49
1835
Oil on canvas
26.7x38.1cm
Painting ID:: 26403
X
Samuel Palmer On the North Coast of Devon,Lundy Island in the Distance mk49
1835
Watercolour,gouache,black chald and graphite on off-white wove paper
27.1x38cm
Painting ID:: 26404
X
Samuel Palmer A Study at Tintern-Drawn on the Spot mk49
1835
Brown ink,watercolour,gouache,graphite and black chalk on off-white paper toned pinkish-brown
37.2x47.5cm
Painting ID:: 26405
X
Samuel Palmer Tintern Abbey mk49
1835
Watercolour,gouache,brown ink and black chalk on white laid paper
36.8x48.6cm
Painting ID:: 26406
X
Samuel Palmer Conwy Castle,North Wales mk49
1835
Black chalk,watercolour,wash and gouache on light brown paper laid down onto a buff board support
32.7x45.5cm
Painting ID:: 26407
X
Samuel Palmer Moel Siabod from Tyn-y-Coed mk49
1835or1836
Watercolour gouache,brown ink and graphite on brown paper
37.8x47.6cm
Painting ID:: 26408
X
Samuel Palmer A Cascade in Shadow,Drawn on the Spot,near the Function of the Machno and Conway,North Wales mk49
1836
Watercolourgouache,graphite and brown ink
46.4x37.5cm
Painting ID:: 26409
X
Samuel Palmer A View of Modern Rome mk49
1838
Watercolour,gouache and graphite on buff paper laid down on board
40.9x57.8cm
Painting ID:: 26411
X
Samuel Palmer A View of Ancient Rome mk49
1838
Watercolour,gouache and graphite on buff paper laid down on board
41.1x57.8cm
Painting ID:: 26412
X
Samuel Palmer Street of Tombs,Pompeii mk49
1838
Watercolour,gouache,graphite and brown ink on card
28.9x41.9cm
Painting ID:: 26414
X
Samuel Palmer The Cypresses at the Villa d'Este mk49
1838
Brown ink,watercolour,gouache,graphite and black chalk on blue paper
31.5x22.9cm
Painting ID:: 26415
X
Samuel Palmer The Village of Papigno on the Nar,between Terni and thte Falls mk49
1839
Brown ink,watercolour,gouache and black chald on grey-brown wove paper
31.6x42.1cm
Painting ID:: 26416
X
Samuel Palmer Near Underriver,Sevenoaks,Kent mk49
c.1840
Watercolour and brown ink on off-white paper
27.2x38.4cm
Painting ID:: 26417
X
Samuel Palmer A Farmyard near Princes Risborough,Bucks mk49
1846
Watercolour
39.2x54cm
Painting ID:: 26418
X
Samuel Palmer The Watermill mk49
c.1848
Water and body colour,mixed in parts with gum arabic.
51.3x71.2cm
Painting ID:: 26419
X
Samuel Palmer Study for The Watermill mk49
1848
Watercolour
2.7x17.8cm
Painting ID:: 26420
X
Samuel Palmer View of Ilfracombe,Devon mk49
c.1848-9
Watercolour,gouache,black chalk and graphite on Bristol board
27x38cm
Painting ID:: 26421
X
Samuel Palmer Christian Descending into the Valley of Humiliation mk49
1848
Watercolour,gouache,black ink,black chalk and gold over faint squaring
Painting ID:: 26422
X
Samuel Palmer View at Tintagel mk49
1848
Black chalk,watercolour and gouache on off-white wove paper
26.2x37cm
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
